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L’IDEA
MAGAZINE GOES WEST!
by
Tiziano T. Dossena
For
the reader who is starting to worry whether our offices are moving to
California
, be reassured that is not so. We did indeed go West,
that is we were spectators of the most surprisingly original and creative
play about the celebrated Broadway and cinema actress Mae West. It all
happened on July 22… Three
Directors, four staff writers and some family members gathered for this
imperative event that marked the official presentation of the play to the
large public. Our very own LindaAnn Loschiavo, who was so essential in our
25th year’s celebration, and who has been a columnist for our
magazine for over ten years, is the author of this vibrant show, which
received an enthusiastic response from the public as well as from the
critics.
She was in the audience herself,
absorbing every word, every nuance of the performance, rejoicing at the
wonderful rendition the actors of A
Company Of Players were offering to the fascinated spectators.
It must be a breathtaking
experience, to view your writing come to life and oh so realistically that
everyone believed by the end of the play that Mae West was really in their
presence.
The perfect chemistry that
formed between the actors diffused to the public, which was thrilled by
the experience. Yvonne Sayers was a perfect Mae West: she’s such a
natural, that no acting seemed to be required. Jason Emanuel, as Mario
“Shortie” De Angelis, was able to create the necessary comic relief
with his Italian language interjections and at the same time he assisted
in giving Mae the appropriate emotional latitude by supporting the
character with the altruistic presence of this gallant friend and lover.
Sarah Kanter Emanuel was the ideal choice for the part of Beverly West,
portraying her competently as the emotionally and physically handicapped
sister of the famous entertainer. The other pleasant revelation was
Jessalyn Maguire, who was able to carve a faultless living reproduction of
the unfortunate socialite Sara Starr. Eliza Rourke and Declan Rourke,
played respectively by Mary Murphy and Steven Viola, were stunningly
sparkling and gave the whole ensemble the necessary final touches to
recreate the life and times of Mae West in a realistic manner.

The
other actors, Eric Eastman, Neal Sims, Gloria Buccino and Eileen Glenn
were more than adequate, enabling the characters to be rendered as dynamic
and living persons and not as theatrical creations. A special mention goes
to the excellent direction accomplished by Louis Lopardi, which allowed
the play to show its true value. This optimal presentation allowed
“Courting Mae West: Sex, Censorship, & Secrets” to have a suitable
official introduction to the public, one that is more than deserved.
The story is faultless in the
aim of developing the characters as well as in presenting the strange
predicaments Mae West found herself in when she attempted to talk about
sex in her shows in the Prohibition Era. Mae West is portrayed as a driven
defender of free speech, a liberal-minded show business woman who believed
that sex and its peculiarities belong to the entertainment world and that
criticisms wee not going to dissuade her from these beliefs. In building
up the case for Mae West, the playwright Loschiavo creates interesting
characters, some completely fictitious, who in their interactions are able
to liven up the story and keep it from becoming a tedious interpretation
of historical facts.
A good balance of comedy and
drama, combined with an educational effect obtained by the continuous
release of historical fragments, newly discovered and researched by the
dramatist herself, makes this play a “must see” for everyone who loves
to come into contact with pure, unadulterated “Good Theater”.
Our
theatrical experience was rewarded by the powerful performances and by the
flawless script. That the author was a friend and a colleague was even
more of a pleasant piece of information.
Our expectations are now raised and we are certain that this play
will continue in an extended run on Broadway, because it unquestionably
has all the requirements for success.
IDEA
SETTEMBRE 2008

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